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How Does Acoustic Treatment better your worship experience?

Introduction: In the realm of sacred spaces, where voices rise in prayer and music soars to the heavens, the quality of sound is paramount. Churches, with their unique architecture and acoustics, often require specialised attention to create a harmonious auditory experience for both worshipers and performers. This is where the power of acoustic treatment comes […]


In the realm of sacred spaces, where voices rise in prayer and music soars to the heavens, the quality of sound is paramount. Churches, with their unique architecture and acoustics, often require specialised attention to create a harmonious auditory experience for both worshipers and performers. This is where the power of acoustic treatment comes into play. In this blog post, we'll explore how acoustic treatment works and why it's essential for creating an optimal sound environment within churches.

Understanding Acoustic Treatment:

Acoustic treatment involves the strategic modification of a space's surfaces to control sound reflections, resonances, and overall audio quality. It aims to minimise unwanted echoes, reverberations, and excessive sound reflections while ensuring clarity, intelligibility, and a balanced sound.

Absorption and Diffusion:

One of the primary methods of acoustic treatment is the incorporation of absorption and diffusion materials. Absorption materials, such as acoustic panels and baffles, absorb sound energy, reducing reflections and reverberations. These materials are strategically placed on walls, ceilings, and other surfaces to create a more controlled and balanced acoustic environment. Diffusion materials, on the other hand, scatter sound waves to prevent excessive focus on specific areas and enhance the overall sense of spaciousness and clarity.

Controlling Reverberation Time:

Reverberation time refers to the duration it takes for sound to decay by 60 decibels after the sound source has stopped. In churches, long reverberation times can lead to a muddied sound, reduced speech intelligibility, and diminished music quality. Acoustic treatment can help control reverberation by employing a combination of absorption and diffusion materials strategically placed throughout the space, ensuring a more optimal and balanced sonic experience.

Addressing Specific Acoustic Challenges:

Each church presents unique acoustic challenges based on its architecture, materials used, and intended use of the space. Acoustic experts assess the specific needs of the church and recommend tailored solutions. For instance, churches with high ceilings and hard surfaces may require additional absorption materials to counteract excessive reverberation, while others with dead or dry acoustics may benefit from diffusers to create a livelier sound.

Balancing Reflections and Speech Intelligibility:

Churches serve as spaces for congregational singing, preaching, and spoken prayers. Achieving clear speech intelligibility amidst the presence of reflective surfaces can be a challenge. Acoustic treatment aims to strike a balance between reducing excessive reflections and maintaining the natural ambience of the space. By strategically placing absorption panels and diffusers, sound energy can be directed towards the audience, minimising reflections and improving speech clarity.


Acoustic treatment holds the key to transforming the sonic experience within churches. By strategically addressing reflections, reverberations, and speech intelligibility, the spiritual journey can be enhanced through immersive sound. With the expertise of an AV company specialising in church acoustics, you can create a sacred space where every word, note, and prayer resonates with clarity and emotion. Investing in acoustic treatment for your church is an investment in the spiritual connection between worshippers and the divine. Let the power of sound unite hearts, uplift spirits, and create an immersive auditory experience that elevates worship to new heights.


Creating a memorable and spiritually uplifting church service involves more than just powerful sermons and heartfelt worship; it also requires support from a reliable and well-designed audio-visual (AV) system. Selecting the right AV system for your church is crucial to ensure that every member of the congregation can fully engage with the message and worship experience. In this article, we will explore key considerations and recommendations to help you choose the best AV system for your church service.

Assessing Church Size and Layout:

  • The first step in selecting an AV system is understanding the size and layout of your church. Larger spaces may require more powerful audio systems and additional display screens to ensure that everyone can see and hear clearly. Consider the acoustics of the space and any unique architectural features that may impact sound distribution.

Audio System Components:

a. Microphones: Invest in high-quality microphones for pastors, worship leaders, and musicians. Consider both wired and wireless options based on the church's needs. Remember a wired microphone will always be more reliable and cost effective than wireless.

b. Mixing Console: A user-friendly mixing console is essential for balancing and adjusting audio levels. Look for a console with sufficient channels for all instruments and microphones.

But overall look for a console that your users will feel confident and comfortable operating.

c. Speakers: Choose speakers that match the size and aesthetics of your church. They are the one part of the audio system that is always on display so they mustn’t dominate visually. Ultimately there may be a trade-off between looks and performance, some congregations will be happier than others sacrificing one for the other.

Visual Display:

a. Projectors and Screens: Select high-resolution projectors and screens for displaying lyrics, announcements, and multimedia content. HD resolution is good to have but not essential, widescreen format is essential as all content is this shape. However, 4K resolution is fairly pointless as most viewers will be too far from a screen to see the difference.

Consider the size and placement of screens to maximise visibility for the congregation. Sometimes there are several options for this, especially old buildings there may seem to be no obvious option, that's where a specialist church installer will have experience and solutions to offer.

b. Cameras: If your church would like to broadcast services online, Quality cameras will provide better long-term value for money and greatly increase low-light performance over basic webcams for live streaming. As control and operation of cameras and streaming equipment can be a lot more complicated than using say a laptop or phone to stream, finding a supplier who has experience working with churches will always produce a simpler-to-use system tailored to your needs.


a. Stage Lighting: Enhance the worship experience with well-designed stage lighting. Consider intelligent lighting systems that can be programmed to create dynamic atmospheres during different parts of the service. These can be programmed to allow push-button recall of lighting scenes enabling anyone to operate the system. Stage lighting can also improve the quality of your streaming output as most cameras perform better with higher light levels.

b. House Lighting: Ensure proper ambient lighting for the congregation, allowing them to read hymnals or follow along with scriptures without straining their eyes. A specialist church lighting designer will understand the unique requirements of lighting older buildings sympathetically.

Integration and Control:

Choose an AV system that allows seamless integration and control. This includes the ability to control audio, video, and lighting from a central location, making it easy for operators to manage the entire system during services. This may now include wireless operation from a tablet allowing control from the minister if operating solo.

Budget Considerations:

While it's crucial to invest in quality AV equipment, it's equally important to stay within budget. A professional church AV contractor will help you prioritise essential components and explore cost-effective options without compromising on performance.


Selecting the best AV system for your church service requires careful consideration of your church's size, layout, and specific needs. By investing in high-quality audio, visual, and lighting equipment, you can create an immersive and spiritually enriching experience for your congregation, fostering a deeper connection with the message and worship. Two key components of this are 1. Selecting a provider who has a proven track record in the church sector and 2. Good communication between the church and contractor ensures that the project is delivered to your expectations and the operational capabilities of your team.

Reverberation is probably a word you have heard many times, but what exactly is it and is it a good thing? Can we get rid of reverberation and if so, how? This article will explore all of those questions and more, to leave you clued up on reverberation.

First things first, are reverberation and echo the same thing? They are similar but not quite the same thing. Reverberation is generally a jumbled mix of decaying sounds without discernible syllables (in the example of speech). 

An echo is a completely discernible sound, word or syllable which by definition is a reflection of a single surface with a reflection time long enough to be heard after the source has stopped and can be distinguished as a separate sound.

Sound travels in waves, and like the waves in the sea, these sound waves have energy. When sound waves are generated by a voice, instrument or any other audible source they radiate out from that source and strike objects and walls around them. Hard surfaces reflect most of the sound energy and (acoustically) soft surfaces absorb, transmit and reflect depending on the frequencies and the material. The amount of absorption depends on the structure of the material, but, more on that later.

So what happens when sound is reflected from a surface? Sound waves travel at around 300 metres per second. That seems incredibly fast to us (roughly 670 mph!!) but it is slow when compared to the speed of light, which travels 1 million times faster. That is why we see the flash of fireworks before we hear the ‘bang’ from them.

The result of this is that in a conventional room, the sound energy reflects multiple times off the surfaces in the room, losing energy as it does so. Depending on the (acoustically and usually physically) hard or soft nature of the surfaces, more or less energy will be lost when each of these reflections occurs; the harder the surfaces, the less energy is absorbed and so the longer the sound takes to die away.

(Picture of a graph showing the speed of sound vs light)

What actually happens to sound when it is absorbed?

If you cast your minds back to your high school science classes, you would have been taught that energy never dies, it only changes from one form to another. In the case of sound absorption, as the sound energy passes into and through an absorbing medium, the friction caused by the medium on the movement of the particles strips them of energy, which is turned into minute amounts of heat.

So is reverberation a problem?

In short, it depends on the situation. Reverberation is not necessarily a problem, and sometimes it is a positive boon. When it comes to opera, classical music, organ and choral music, it could be said to be essential to the performance of the genre. Performances like these which are generally acoustic in nature (ie not amplified or performed through a microphone) rely on reflected sound for the performers to hear themselves and to add desirable reflections that sustain and ‘fill out’ the performance.

However, for amplified music and particularly the spoken word, reverberation is positively detrimental. The later reflections are still loud enough to cause the ear and brain difficulties in interpreting what is being said. With the diction of the speaker being smeared by the elongation of consonants especially, an increasing amount of brain power is required to decode and understand. 

Imagine a snare drum beat and instead of being short and sharp, it is elongated so that it hasn't died away completely before the next beat happens. The further away from the source of the original sound you are, the less of it you hear directly and the more you hear the result of the reverberation. The point at which intelligibility dramatically falls away is called the Critical Distance. At this distance, you are hearing an equal amount of direct sound and reflected (reverberant) sound.

How do we measure reverberation?

Reverberation is measured in seconds and this measurement is called the reverberation time (RT). It is defined as the time it takes for the original sound level usually of a short loud sound such as a balloon burst or gunshot, to die away to 1 millionth (-60dB (Decibels)) of the original peak level.

So can you define an ‘ideal’ reverberation time?

The ‘ideal’ reverberation time depends completely on the venue! For cinema and the spoken word an RT (reverberation time) of around 0.5 seconds is the aim, however, the RT is usually much greater unless a room or hall has been designed from the ground up or has had a lot of absorption added.

For contemporary music genres like rock or modern worship songs around 1-1.2 seconds is good.

For classical music, 1.6-2.3 seconds would be considered ideal, and for organ music 2-4 seconds is desirable.

So you can see that if you have a venue with multiple uses there are conflicting demands on the RT. However for multi-use venues generally an RT of around 1.2 seconds is a good compromise for intelligible speech and music that is not too dry. We can always add reverberation electronically but it is not possible to take it away in this manner.

Some venues have sliding panels and heavy drapes to allow for a change in the RT depending on the performance type, but for most venues, these would be seen as too expensive or impractical to achieve. 

(Photo of ideal reverberation times for different events)

How do we reduce reverberation time to improve intelligibility?

Very few public buildings in the UK were designed with more than a passing nod to acoustics, certainly not your average village hall or community building. We have worked in brand-new spaces where the acoustics are terrible and could have been designed with better acoustics in mind. 

The typical treatment is to add absorption to reduce the reflections and therefore reduce the reverberation time. This can be incredibly effective, even adding a few square metres of panel absorbers can turn a difficult space into an acoustically comfortable one.

Panel absorbers are the most popular non-construction solution to excess reverberation. They are generally large flat fabric-covered panels of acoustic-grade mineral wool or other fibrous material. They are available in matching or complementary colours so can be discrete or made into a feature. The sizes are generally chosen to fit in with spaces between windows and other features in the room, although they can also be fixed to the ceiling or ‘flown’.

The number of absorbing panels required is calculated by measuring the volume of the room and the reverberation time to calculate the current amount of incidental absorption. Then these figures are plugged back into the same formula to calculate the required additional absorption to bring the RT time down to the desired level.

In this way, what was once a space where it was difficult to hold meetings, concerts or other gatherings, can be tamed and turned into an acoustically comfortable space. The great thing about acoustic treatment is that it doesn't use any power, doesn't wear out and works all the time, whether you are using amplification or not.

There are other cases where acoustic treatment would be very useful, such as video conferencing rooms, where you can often hear as much of the room as you can the person you are listening to.

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